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Seller's Description:
Very Good. Hardcover. No DJ. Pages clean and unmarked. Covers show very minor shelf wear. Binding tight, hinges strong. Previous owner's name on end paper.; 100% Satisfaction Guaranteed! Ships same or next business day!
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Seller's Description:
Very good in very good jacket. Illustrated with many mounted plates in color and b/w. 137 pages, 4to, cloth, d.w. New York: The Viking Press, (1969). Very good.
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Seller's Description:
Very Good in Good jacket. Book Squarish large quarto, hardcover, near fine in lightly edgeworn white and blue pictorial dj. Watercolor, the most spontaneous and elusive of all painting and drawing forms, is at once the most characteristic and the least known of all aspects of French art. Brought to a high degree of perfection by the masters of Italian and German painting, it was not used in France, except in a very limited way, until the eighteenth century. At the end the reign of Louis XIV, the very word aquarelle was unkown in the French language, and it did not come into common use until the Revolution. But actuality preceded language: the great painters of the period had chosen this method for creating innumerable masterpieces" 42 color plates of the works of such celebrated painters as Fragonard, David, Gabriel de Saint-Aubin, and Louis Moreau, and of Hoin, Hilair, and other minor masters, form a moving image of the realities of French life to the eve of the Revolution. 139 pp.
