In French Musical Culture and the Coming of Sound Cinema , author Hannah Lewis argues that debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding French musical styles and genres shaped cinematic experiments during the transition to sound.
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In French Musical Culture and the Coming of Sound Cinema , author Hannah Lewis argues that debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding French musical styles and genres shaped cinematic experiments during the transition to sound.
Read Less
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