Frank Martin's most important choral work is his a cappella Mass for Double Choir (1922-1926), though he also composed several short occasional choral pieces, which Harry Christophers and the Sixteen present with the Mass to round out this 2005 release. By arranging the program with less familiar works first, Christophers wants listeners to discover the variety of Martin's vocal writing, and to hear pieces that are seldom performed, let alone performed as well as this superb ensemble delivers them. One may not be terribly ...
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Frank Martin's most important choral work is his a cappella Mass for Double Choir (1922-1926), though he also composed several short occasional choral pieces, which Harry Christophers and the Sixteen present with the Mass to round out this 2005 release. By arranging the program with less familiar works first, Christophers wants listeners to discover the variety of Martin's vocal writing, and to hear pieces that are seldom performed, let alone performed as well as this superb ensemble delivers them. One may not be terribly impressed, however, with the declamatory Cantate pour 1er Août for choir and organ, which portentously opens the program, or the two sets of Chansons and the Songs of Ariel, which are interesting as examples of Martin's madrigal style, clearly well-crafted but not extraordinary. The Sixteen is superb in its singing and lively in its interpretations, but this music is really best appreciated by Martin specialists. Listeners may well skip ahead to hear the sublime Mass in its entirety...
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