Since his death in April 12 Francis Bacon has been acclaimed as one of the very greatest of modern painters. Yet most analyses of Bacon actually neutralize his work by discussing it as an existential expression and as the horrifying communication of an isolated individual which simply transfers the pain in the paintings back to Bacon himself. This study is the first attempt to account for the pain of the viewer.
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Since his death in April 12 Francis Bacon has been acclaimed as one of the very greatest of modern painters. Yet most analyses of Bacon actually neutralize his work by discussing it as an existential expression and as the horrifying communication of an isolated individual which simply transfers the pain in the paintings back to Bacon himself. This study is the first attempt to account for the pain of the viewer.
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Seller's Description:
Good. Some outer edges have minor scuffs. Cover has light scratches/marks. Some pages have pencil marks. Content is in very good readable condition. Trade paperback (US). Glued binding. 208 p. Contains: Illustrations. Essays in Art and Culture.
