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Seller's Description:
Good Condition in Good jacket. 9781858940373. Art History. VG-/Good+ 1st ed 2008 Merrell hardback, unclipped DJ. Heavy fold crease along front edge of dust-jacket, creasing and small tears mainly along front edges of DJ, surface rubbing wear and light scratches to DJ, internally VG and unmarked. Size: 9.25 x 1.75 x 11.25 inches. 480 pages. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; Art History; ISBN: 1858940370. ISBN/EAN: 9781858940373. Dewey Code: 749.7094. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 084629.
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Seller's Description:
Fine in fine dust jacket. slight tear in DJ spine, otherwise all in like new condition. Sewn binding. Cloth over boards. 480 p. Contains: Illustrations. Audience: General/trade.
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Seller's Description:
New. 1858940370. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--480pp | 27.5 x 22 cm | 11 x 8 in. 370 illustrations, 300 in colour. Product Description: This highly acclaimed landmark publication provides a beautifully illustrated guide to the most familiar frame styles associated with the major European artistic movements from the Renaissance to the twentieth century. By considering the frame historically, in both its wider physical context and its formal relationship to the work of art, this detailed visual history reveals the extent to which a frame can enhance our appreciation of a picture. --with a bonus offer--
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Seller's Description:
VG (Missing dust jacket. Small ink number on top of front end page, otherwise, an excellent copy with clean and tight contents. Black boards with gilt lettering. Illustrated endpapers. 480 pp. 315 illus, mostly color. "Virtually all pictures illustrated are reproduced in their frame for the first time, including works by Bellini, Degas, Liotard, Manet, Nattier, Rosetti, Titian, Van Dyck, and Velasquez. Many stimulating juxtapositions appear, with Old Master and modern paintings bearing the same frame styles. At each stage, the relationship between the picture and frame is discussed in terms of form, decoration, and colour. "-publisher's description.
