Heartland American violinist Joshua Bell and cellist Steven Isserlis have known each other for many years and have often performed together. This release, spearheaded by Bell in his post as music director of the venerable Academy of St. Martin-in-the-Fields, is a bit unwieldy, but has moments that make it worth the time and money of Bell fans especially. The three works, loosely linked by the concept described in the title, have their background abundantly described by Isserlis in the booklet. The Double Concerto for violin ...
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Heartland American violinist Joshua Bell and cellist Steven Isserlis have known each other for many years and have often performed together. This release, spearheaded by Bell in his post as music director of the venerable Academy of St. Martin-in-the-Fields, is a bit unwieldy, but has moments that make it worth the time and money of Bell fans especially. The three works, loosely linked by the concept described in the title, have their background abundantly described by Isserlis in the booklet. The Double Concerto for violin and cello in A minor, Op. 102, is conducted by Bell from the violin. There are moments that show his star quality, contrasting nicely with the detailed, concentrated approach of Isserlis, and the relatively small size of the Academy probably approximates the way Brahms imagined the work. There are smoother versions of this curiously restrained, deliberate work, however. In the slow movement of the Schumann Violin Concerto in D minor, WoO 23, Isserlis takes an orchestral cello line...
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