Christopher Nolan made his feature directorial debut with this 16mm black-and-white British suspense drama, shot on weekends with a $6,000 budget. Wannabe writer Bill, aka "The Young Man" (Jeremy Theobald), is "between jobs," living in impoverished circumstances with no prospects, plots, or outlines. Desperate for ideas, he begins following people in the street to "gather material," more accurately described as a venture into voyeurism. When Cobb (Alex Haw) realizes he's being followed, he confronts Bill. Cobb explains that ...
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Christopher Nolan made his feature directorial debut with this 16mm black-and-white British suspense drama, shot on weekends with a $6,000 budget. Wannabe writer Bill, aka "The Young Man" (Jeremy Theobald), is "between jobs," living in impoverished circumstances with no prospects, plots, or outlines. Desperate for ideas, he begins following people in the street to "gather material," more accurately described as a venture into voyeurism. When Cobb (Alex Haw) realizes he's being followed, he confronts Bill. Cobb explains that he goes one step further -- entering people's apartments not only for theft but also to spy on private possessions. The notion of illegal intrusions excites Bill, but graduating to the next plateau beyond break-ins sets him up as a fall guy. Shown at the 1998 San Francisco Film Festival. Bhob Stewart, Rovi
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