Tom Stoppard considers ways of controlling how an audience gets information while watching a play and Charles Rosen reflects on the very physical relationship between the musician and the instrument.
Read More
Tom Stoppard considers ways of controlling how an audience gets information while watching a play and Charles Rosen reflects on the very physical relationship between the musician and the instrument.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fair. 8.3 X 4.8 X 0.5 inches FAIR CONDITION, cover and some pages have been wet, minor corner light stain & bit wavyness...Still wel bound, and not marked up. very useable..; black titles on white paper covers...Cover art shows BUSBY BERKELEY GOLD DIGGERS OF 1935 SCENE WITH 20 PIANOS IN A ROW.; 148 pages; Tom Stoppard considers ways of controlling how an audience gets information while watching a play, and Charles Rosen reflects on the very physical relationship between the musician and the instrument. Jonathan Miller describes ways of restoring dramatic motivation to some of our best-loved operas. Garry Wills argues that the collaborative and commercial pressures of filmmaking have produced some of our greatest cinematic achievements, and Geoffrey O'Brien looks at how hip audiences in the Nineties have rediscovered Sixties pop music icon Burt Bacharach. A BOOK OF ESSAYS ON CULTUREAL ART...NOT SCRIPTS.
