South Florida is home to some of the world's premier private collections of studio glass, collections whose abundance, diversity, and quality are celebrated in Fire and Form. This volume features more than 100 works by 31 of the best-known American and European glass artists of our time, including Jaroslava Brychtova, Dale Chihuly, Dan Dailey, Stanislav Libensky, William Morris, Tom Patti, Lino Tagliapietra, and many others. William Warmus identifies four prominent themes in the relatively recent development of studio glass ...
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South Florida is home to some of the world's premier private collections of studio glass, collections whose abundance, diversity, and quality are celebrated in Fire and Form. This volume features more than 100 works by 31 of the best-known American and European glass artists of our time, including Jaroslava Brychtova, Dale Chihuly, Dan Dailey, Stanislav Libensky, William Morris, Tom Patti, Lino Tagliapietra, and many others. William Warmus identifies four prominent themes in the relatively recent development of studio glass (since 1960) that provide a framework for exploring the rich variety of works presented in this book. The first theme is what Warmus has called the particular affinity between nature and the making of glass: Where nature creates a heart, the glass artist creates a heart-felt vessel. The second is the ability of glass, equally to that of painting and sculpture, to convey the power of abstraction and color. A third theme is the prevalent use of glass - sometimes called the new bronze - to depict the human figure and animal forms. The final section deals with the theatrical nature of installations and environmental sculptures, demonstrating the surprising capability of glass to impose itself physically and emotionally on the space we inhabit, altering our very perception of it. ancient Egypt, and places contemporary glass within the context of contemporary art and theory at large. In addition, the book includes selected artists' bibliographies and a chronological bibliography of contemporary glass that lists key historical events, general trends and developments, and important publications. Fire and Form offers a unique perspective on this vital and intoxicating medium, and its publication is a welcome event for all lovers of glass - those who make it, those who collect it, and those who admire it.
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Seller's Description:
Exhibition catalogue. irst edition 2003. 310x255mm 128 pages. Illustrated in colour. Cloth. Bump to head edge of spine has resulted in creasing to spine edge of pages inside. Very good in dustjacket. South Florida is home to some of the world's premier private collections of studio glass, collections whose abundance, diversity, and quality are celebrated in Fire and Form. This volume features more than 100 works by 31 of the best-known American and European glass artists of our time, including Jaroslava Brychtova, Dale Chihuly, Dan Dailey, Stanislav Libensky, William Morris, Tom Patti, Lino Tagliapietra, and many others. In his thoughtful and informative essay, curator and renowned glass scholar William Warmus identifies four prominent themes in the relatively recent development of studio glass (since 1960) that provide a framework for exploring the rich variety of works presented in this book. The first theme is what Warmus has called the particular affinity between nature and the making of glass: "Where nature creates a heart, the glass artist creates a heart-felt vessel". The second is the ability of glass, equally to that of painting and sculpture, to convey the power of abstraction and color. A third theme is the prevalent use of glass-sometimes called the new bronze-to depict the human figure and animal forms. The final section deals with the theatrical nature of installations and environmental sculptures, demonstrating the surprising capability of glass to impose itself physically and emotionally on the space we inhabit, altering our very perception of it. Warmus also provides a brief history of glass as an art form dating back to ancient Egypt, and places contemporary glass within the context of contemporary art and theory at large. In addition, the book includes selected artists' bibliographies and a chronological bibliography of contemporary glass that lists key historical events, general trends and developments, and important publications. Fire and Form offers a unique perspective on this vital and "intoxicating" medium, and its publication is a welcome event for all lovers of glass-those who make it, those who collect it, and those who admire it. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 37 years experience, you may order with confidence.
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Seller's Description:
Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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New in fine dust jacket. Slight crease on corner of jacket. Never read. Ship in sturdy box with bubble wrap. Sewn binding. Cloth over boards. With dust jacket. 128 p. Contains: Illustrations. Audience: General/trade.
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New. 0943411394. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--128 pages, 85 color illus. --with a bonus offer--
