Byerman discusses how black writers such as Toni Morrison, Ishmael Reed, and Ernest Gaines have moved away from the ideological rigidity of the black arts movement that arose in the 1960s to create a more expressive, imaginative, and artistic fiction inspired by the example of Ralph Ellison's Invisible Man .
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Byerman discusses how black writers such as Toni Morrison, Ishmael Reed, and Ernest Gaines have moved away from the ideological rigidity of the black arts movement that arose in the 1960s to create a more expressive, imaginative, and artistic fiction inspired by the example of Ralph Ellison's Invisible Man .
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1985, University of Georgia Press
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0820309044
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9780820309040
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308
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University of Georgia Press
Published:
1986
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English
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1985, University of Georgia Press
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0820309044
ISBN-13:
9780820309040
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308
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University of Georgia Press
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1986
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English
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18073076254
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1985, University of Georgia Press
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0820309044
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9780820309040
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308
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University of Georgia Press
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1985
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1985, University of Georgia Press
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9780820307893
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1985
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Good+ in Very Good-dust jacket. 0820307890. Exlibrary with usual library markings. Front free endpaper removed. Dust jacket sunning.; 308 pages.
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2010, University of Georgia Press
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0820337765
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9780820337760
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1985, University of Georgia Press
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0820309044
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9780820309040
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308
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1986
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1985, University of Georgia Press
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0820307890
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9780820307893
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308
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University of Georgia Press
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1985
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9780820337760
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322
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2010,
University of Georgia Press, Athens
ISBN-13: 9780820337760
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1985,
University of Georgia Press
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1985,
University of Georgia Press
ISBN-13: 9780820307893
Hardcover
All Editions of Fingering the Jagged Grain: Tradition and Form in Recent Black Fiction
Books by Keith Eldon Byerman