The follow-up to the critically acclaimed No. 111, Fidget ruthlessly documents every movement made by Goldsmith's body on Bloomsday (June 16) 1997 from 10 am to 11 pm. Literary critic Marjorie Perloff compares Fidget to 'a Beckett prose text, ' and says many witty and intelligent things about it in her afterword.
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The follow-up to the critically acclaimed No. 111, Fidget ruthlessly documents every movement made by Goldsmith's body on Bloomsday (June 16) 1997 from 10 am to 11 pm. Literary critic Marjorie Perloff compares Fidget to 'a Beckett prose text, ' and says many witty and intelligent things about it in her afterword.
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Very Good. Clean and bright; no owners' marks; a short wrinkle across the spine head and modest shelfwear at corners with just the beginnings of laminate peeling, otherwise excellent.