This collection of sixteen essays by leading theater critics offers a fresh and exciting look at modern drama as it is being written by women today. Combining a variety of critical approaches, Brater situates the new women playwrights at the center of a continuing debate about what constitutes power, privilege, and current stage practice. His symposium examines the work of Caryl Churchill, Rochelle Owens, Ariane Mnouchkine, Marsha Norman, Simone Benmussa, Tina Howe, Sarah Daniels, Maria Irene Fornes, Pam Gems, and Ntozake ...
Read More
This collection of sixteen essays by leading theater critics offers a fresh and exciting look at modern drama as it is being written by women today. Combining a variety of critical approaches, Brater situates the new women playwrights at the center of a continuing debate about what constitutes power, privilege, and current stage practice. His symposium examines the work of Caryl Churchill, Rochelle Owens, Ariane Mnouchkine, Marsha Norman, Simone Benmussa, Tina Howe, Sarah Daniels, Maria Irene Fornes, Pam Gems, and Ntozake Shange, as well as theater collectives of the 1970s and 1980's, to provide a diverse look at the tension between theoretical matters and questions of dramatic style, performance, and enactment. A mixture of historical, thematic, structural, psychoanalytic, and feminist readings, this collection sharpens our definition of what value and vision mean in contemporary theater.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good in Very Good jacket. BW6-A first edition ex-library hardcover book in good condition in very good dust jacket that is mylar protected. Dust jacket has taped label and fading on the spine, inside flaps adhered to the fixed endpapers, light discoloration and shelf wear. Book has library markings (labels, stamping, cardholder, etc. ), some stains on the page edges, pencil writing, stains, wrinkling and crease on some inside pages, light discoloration and shelf wear. Feminine Focus places women playwrights once considered marginal or "fringe" into the theatrical mainstream. 8.5"x5.75", 283 pages. Satisfaction Guaranteed.