"In this altogether brilliant collection, the various but carefully sequenced (and deeply consequential) poems unfold in a world undergoing eclipse. It is a transient, unsettling, and fascinating phenomenon, the casting of shadows by shadows (of experience, literature, language, the natural sun) traveling across the totality of the known world: here. The process does not produce negation. It is, on the contrary, an odd plus. And the darkness is never complete; it is surprised into perceptibility by sources of counter ...
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"In this altogether brilliant collection, the various but carefully sequenced (and deeply consequential) poems unfold in a world undergoing eclipse. It is a transient, unsettling, and fascinating phenomenon, the casting of shadows by shadows (of experience, literature, language, the natural sun) traveling across the totality of the known world: here. The process does not produce negation. It is, on the contrary, an odd plus. And the darkness is never complete; it is surprised into perceptibility by sources of counter-illumination, among them wit, intelligence, and, above all (as underlying all), love."--Lyn Hejinian "Reddy's book is new, utterly confident, clear, true to itself. It is about any world in which any one of us in love can learn something about what has happened to us--a world utterly and deeply known: ecstatic and forlorn. This is also a confident guide to our best life and to the language of that unknown place in which we bring to mind for the first time what we think and feel. At the end, Reddy's book leaves us with a deeper understanding of the wisdom of all good guides and poets: 'Where one goes, one goes alone.'"--Allen Grossman, Mellon Professor in the Humanities, Johns Hopkins University and author of "Sweet Youth" "The present is a word for only those words which I am now saying" writes Reddy in this profoundly moving first collection. And, indeed, a search for the nature of the 'present' continuously animates this stunning, anguished yet level-headed attempt to reconstruct a history of our kind as if from some as-yet unknown vantage point. Striving for a complex objectivity, the book explodes prior notions of orientation--geographic, historical, cultural--and recovers from the debris a profoundly trustworthy reorientation, political as well as emotional. Reddy speaks to us fully self-conscious and, strangely, fully innocent. It is a mesmerizing voice."--Jorie Graham
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Good. THIS IS AN EX-LIBRARY BOOK THAT REMAINS IN GOOD READABLE CONDITION. MAY CONTAIN LIBRARY STICKER ON COVER. Former Library book. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Berkeley. 2004. University of California Press. 1st American Edition. Very Good in Wrappers. 0520240448. New California Poetry, 12. Awards-Asian American Literary Award, Asian American Writer's Workshop. 62 pages. paperback. keywords: Poetry America. FROM THE PUBLISHER-Many of these poems were written while Srikanth Reddy worked for a rural literacy program in the south of India, a fact reflected in the imagined postcolonial world of lyrics such as ‘Monsoon Eclogue' and ‘Thieves' Market. ' Yet the collection moves beyond the identity politics and ressentiment of postcolonial and Asian-American writings by addressing the fugitive dreams of shared experience in poems such as ‘Fundamentals of Esperanto. ' Mobilizing traditional literary forms such as terza rima and the villanelle while simultaneously exploring the poetics of prose and other ‘formless' modes, Facts for Visitors re-negotiates the impasse between traditional and experimental approaches to writing in contemporary American poetry. inventory #36430.