Drawing upon unpublished and little-studied photographs of slaves, ex-slaves, and abolitionists, Fox-Amato argues that slavery, abolition, and race in antebellum America cannot be understood without looking at the visual culture photography spawned--or the development of photography without considering how slavery shaped it.
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Drawing upon unpublished and little-studied photographs of slaves, ex-slaves, and abolitionists, Fox-Amato argues that slavery, abolition, and race in antebellum America cannot be understood without looking at the visual culture photography spawned--or the development of photography without considering how slavery shaped it.
Read Less