Readers and scholars often question the inclusion of the Book of Esther in the canon. Where, they wonder, do the book's flagrant displays of hatred, deceit, violence, and the antidotal grotesqueries of Purim figure in the biblical tradition? Such confusion, this book tells us, arises from a wrong appraisal of Esther's literary genre. Distinguished scriptural scholar Andr??? LaCocque draws on the lessons of Russian critic Mikhail Bakhtin to reveal the true comedic nature of the story of Esther and Mordecai. In particular, ...
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Readers and scholars often question the inclusion of the Book of Esther in the canon. Where, they wonder, do the book's flagrant displays of hatred, deceit, violence, and the antidotal grotesqueries of Purim figure in the biblical tradition? Such confusion, this book tells us, arises from a wrong appraisal of Esther's literary genre. Distinguished scriptural scholar Andr??? LaCocque draws on the lessons of Russian critic Mikhail Bakhtin to reveal the true comedic nature of the story of Esther and Mordecai. In particular, LaCocque finds in the book's grotesque elements--from royal banquets that last a half-year to an improbable succession of coincidences and reversals of fortunes neutralizing a planned genocide--a natural fit with Bakhtin's description of the "carnivalesque."
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