Fiona MacCarthy's ground-breaking biography of the artist-craftsman, typographer, and lettercutter, master wood-engraver, and sculptor: Eric Gill. 'Fascinating on the work and fair to the man; a brilliant biography.' Independent 'Scrupulous and sensitive . . . A wise and foolish English eccentric in full glory.' Observer 'Full of insight and interest . . . A considerable addition to modern biography.' Times Eric Gill was the greatest English artist-craftsman of the twentieth century: a typographer and lettercutter of genius ...
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Fiona MacCarthy's ground-breaking biography of the artist-craftsman, typographer, and lettercutter, master wood-engraver, and sculptor: Eric Gill. 'Fascinating on the work and fair to the man; a brilliant biography.' Independent 'Scrupulous and sensitive . . . A wise and foolish English eccentric in full glory.' Observer 'Full of insight and interest . . . A considerable addition to modern biography.' Times Eric Gill was the greatest English artist-craftsman of the twentieth century: a typographer and lettercutter of genius and a master in the art of sculpture and wood-engraving. He was a devoted family man and key figure in three Catholic art and craft communities: yet he also believed in complete sexual freedom. In her controversial, landmark biography, originally published in 1989, celebrated biographer Fiona MacCarthy delves into the complex, dark, and contradictory sides of the man and the artist for the first time - and the result is his definitive portrait.
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Seller's Description:
Very Good in Very Good jacket. New York: E P Dutton, 1989. 1st Edition 1st Printing. Hardcover. Very Good/Very Good. 8vo-over 7¾-9¾" tall. First printing of first US edition in VG+ order throughout. Remainder mark to base of block, but internally all is clean and bright. No inscriptions. Smart black boards with copper titling. VG unclipped d/j, faded to spine. 8vo. xiii, 338pp.
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Eric Gill was an extremely talented typographer and artist, who tried mightily to create a kind of Roman Catholic utopia for himself and his family. He also felt free to explore his sexuality in a most uncommon way for the times he lived in, while not seeing any dichotomy between his religious beliefs and his odd predilections. The author does her best to reconcile these divergent aspects of his personality; it's a good read.
