In 1990 Enrique Mart???inez Celaya left a promising career in physics for art and since then he has pursued his work with a singular and uncompromising vision. Working in a variety of media and deeply engaged with philosophy, literature and science, Mart???inez Celaya has created an expansive body of work that has led him to become one of his generation most influential artists. This publication, the product of extensive research from his studio archive, traces the development of Mart???inez Celaya thought through ...
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In 1990 Enrique Mart???inez Celaya left a promising career in physics for art and since then he has pursued his work with a singular and uncompromising vision. Working in a variety of media and deeply engaged with philosophy, literature and science, Mart???inez Celaya has created an expansive body of work that has led him to become one of his generation most influential artists. This publication, the product of extensive research from his studio archive, traces the development of Mart???inez Celaya thought through previously unpublished photographs; illustrations of hundreds of artworks; archival notes and writings; sketches and drawings for his public projects and exhibitions; excerpts from the critical reception of his work; and an insightful introduction to the artist work by art historian and long-time collaborator Daniel A. Siedell. --Amazon.
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Seller's Description:
Fine. As New. 9 full page plates in color and black and white plus text illustrations. Introductory essay by Frances Pohl. Afterword by Tricia Collins. Published on the occasion of the exhibition in September 1995 at the Dorothy Goldeen Gallery, Santa Monica, CA.; Tight, clean and crisp. No inscriptions. No remainder mark. Not ex-library. In excellent condition. As New.; 8vo.
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Seller's Description:
HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
