In Emigr??? New York, a series of surprising and expertly etched portraits emerge against the backdrop of an overriding irony: the United States, the world's principal hope in the battle against Hitler's barbarism, was for the most part more eager to deal with P???tain's collaborationist regime than with what Secretary of State Cordell Hull called de Gaulle's so-called Free Frenchmovement.
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In Emigr??? New York, a series of surprising and expertly etched portraits emerge against the backdrop of an overriding irony: the United States, the world's principal hope in the battle against Hitler's barbarism, was for the most part more eager to deal with P???tain's collaborationist regime than with what Secretary of State Cordell Hull called de Gaulle's so-called Free Frenchmovement.
Read Less