Trumpeter Roy Hargrove has been in some exotic musical environments in the past -- from his various quintets, quartets, his Afro-Cuban outfit Crisol, and his funk band the RH Factor, he's pretty much done it all. And while he's played in various big bands before, he's never led his own until now. Emergence on the Groovin' High imprint features a 19-member big band, playing a set of 11 standards and originals by Hargrove and bandmembers as well as a track written for the leader by none other than pianist Chucho Valdés -- who ...
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Trumpeter Roy Hargrove has been in some exotic musical environments in the past -- from his various quintets, quartets, his Afro-Cuban outfit Crisol, and his funk band the RH Factor, he's pretty much done it all. And while he's played in various big bands before, he's never led his own until now. Emergence on the Groovin' High imprint features a 19-member big band, playing a set of 11 standards and originals by Hargrove and bandmembers as well as a track written for the leader by none other than pianist Chucho Valdés -- who doesn't appear here. The roots for this project go all the way back to 1995 when Hargrove formed a big band to play the New York Jazz Festival. The group went through many metamorphoses when he played a series of club and festival gigs over the intervening years. The set begins with "Velera," a tune written and arranged by Hargrove. It's a ballad in modal style with extended harmonies and a lovely textural palette. The composer employs restraint to bring forth his gorgeous melody. It's followed by "Ms. Garvey, Ms. Garvey," written and arranged by baritone saxophonist Jason Marshall. It quotes liberally from "Wade in the Water" and "Hit the Road Jack," but is a stomping, raucous blues in its own right with the wide chromatic and harmonic range of the brass section on full display, and contains a smoking solo break by Hargrove. Some of the standards that really shine are an unusually restrained and utterly elegant "My Funny Valentine" and the finger-popping "September in the Rain," the former arranged by bass trombonist Max Siegel and the latter by Hargrove. Frank Lacy's "Requiem" is here, and is the most imaginative tune on the set; arranged by the composer, it walks a solid line between modern post-bop jazz and modern classical composition. Roberta Gambarini is the guest vocalist on "Every Time We Say Goodbye," and does a knockout job. There are a couple of Latin numbers on the set as well, and they just smoke: "Mambo for Roy," written by Valdés, and "La Puerta," which also features Gambarini -- they offer deep-listening evidence how far-reaching this band is at heart. Hargrove's "Tschpiso" is a wild, rumbling big brass number filled with syncopation, tough rhythms, and heavy blues feel. In all, Emergence is a stunner from top to bottom. ~ Thom Jurek, Rovi
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Seller's Description:
Fair. Ex-Library rental. Disc(s) are professionally cleaned and may contain only light scratches that do not effect functionality. Includes disc(s), case, and artwork. May be missing booklet. Disc(s), case, and artwork may contain library/security stickers and ink writing. ARTWORK IS UNORIGINAL AND PRINTED BY LIBRARY. Case and artwork may show some wear. Case may not be an original jewel case. All disc(s) are authentic.
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Seller's Description:
Good in good packaging. Originally released: 2009. B061124CD UPC#602527141794) MUSIC WITHDRAWN FROM THE LIBRARY WITH LIBRARY S LOGO this sale is for a (set of one disc). This disc is in a good physical condition...This disc has no visible Scratches and the disc case is in good condition. The disc case in the tab cover is in good condition. The disc is holding tab is good condition. The pamphlet is including (NO) the case has scratches and library s logo but it is in good condition.
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Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
