Though one might have at first doubted it possible, the happy truth is that this is a greater performance of Elgar's First then we had dared hope, a truly great First to stand above those by Solti, Haitink, and Previn and alongside any by Boult or Barbirolli in the postwar canon. How do Mark Elder and the singularly named Hallé -- formerly Manchester's Hallé Orchestra -- accomplish this miracle? By passionately believing in the inherent greatness of the music. This is a First full of power, lyricism, and nobility, a First ...
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Though one might have at first doubted it possible, the happy truth is that this is a greater performance of Elgar's First then we had dared hope, a truly great First to stand above those by Solti, Haitink, and Previn and alongside any by Boult or Barbirolli in the postwar canon. How do Mark Elder and the singularly named Hallé -- formerly Manchester's Hallé Orchestra -- accomplish this miracle? By passionately believing in the inherent greatness of the music. This is a First full of power, lyricism, and nobility, a First of striding themes and heroic developments, of racing energy and magnificent rhetoric, of shattering climaxes and blazing codas. At all points, Elder is in command of the performance, sculpting balances, controlling tempos, and shaping huge structures of sound, but always aiming for emotional expressivity. And Hallé plays with a brilliance and a virtuoso brio that has to he heard to be believed. Their soloists are first class, their blend clear, their colors warm and lush, and their...
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