The Renaissance was a golden age for sculpture, one in which the modern conception of the world gained its first artistic outlines. The medieval definition of the themes and functions of art was crucially expanded, and the creative preoccupations with classical antiquity and the renewed study of nature found their fullest expression. As a result, Renaissance sculpture, and particularly the work of Donatello, whose outstanding creative powers were already recognized and praised by his contemporaries, has remained one of the ...
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The Renaissance was a golden age for sculpture, one in which the modern conception of the world gained its first artistic outlines. The medieval definition of the themes and functions of art was crucially expanded, and the creative preoccupations with classical antiquity and the renewed study of nature found their fullest expression. As a result, Renaissance sculpture, and particularly the work of Donatello, whose outstanding creative powers were already recognized and praised by his contemporaries, has remained one of the most fruitful and fascinating areas of art-historical research. This lavish new volume, which covers the period from 1400 to 1490, represents the most comprehensive documentation of early Italian Renaissance sculpture to date. Its sixty-three exceptional colorplates alone distinguish it from other publications on the subject; most of the photographs were made specifically for this book, and even the most recently restored works are shown in their present state to reflect the artists' intentions as truly as possible. Within these pages an authentic picture of the period unfolds - its intellectual and philosophical foundations are discussed and its artistic triumphs described and illustrated. Author Joachim Poeschke, professor of art history at the University of Dusseldorf and the author of numerous publications on Italian art of the Middle Ages and the Renaissance, has based his text on the latest research. While his central focus is on the work of Donatello, he also illuminates the beginnings of Renaissance sculpture in Florence, its further development in Tuscany and the rest of Italy, the new artistic goals and their theoretical formulation, and the relationshipsbetween patron and artist, convention and artistic freedom. The invaluable documentary section includes all the work of Donatello, as well as that of Ghiberti. Other important sculptors, among them Jacopo della Quercia, Nanni de Banco, Luca della Robbia, Francesco Laurana, and Verr
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Seller's Description:
Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
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As new, clean, tight and bright condition, with bright and crisp dust jacket which is now in a clear protective mylar sleeve. Size: 9.75x12.25 inches, 496pp. 388 illustrations including 63 plates in full color.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Good in good dust jacket. Ex-library. Ex-Library book. Firm & tight. Inside pages very nice. Has the usual library stickers & stamps. Has a clear protective cover over the dust jacket. Ships well-packed & in a box. Sewn binding. Paper over boards. 496 p. Audience: General/trade.