Work(s): Trio Sonata Adapted From BWV 1039 and BWV 1027 (G Major): Adagio
Work(s): Trio Sonata Adapted From BWV 1039 and BWV 1027 (G Major): Allegro Ma Non Tanto
Work(s): Trio Sonata Adapted From BWV 1039 and BWV 1027 (G Major): Andante
Work(s): Trio Sonata Adapted From BWV 1039 and BWV 1027 (G Major): Allegro Moderato
Liebster Jesu, wir sind hier (V), chorale prelude for organ, BWV 731 (BC K134)
Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3): Andante
Wachet auf, ruft uns die Stimme, chorale prelude for organ, BWV 645 (BC K22) (Schübler Chorale No. 1)
Minuet for keyboard No. 1 in G major, BWV Anh. 114 (AMN II/4; by Christian Pezold, not JSB)
So oft ich meine Tobackspfeife (I), aria for voice & continuo, BWV 515a (BC H2) (AMN II/20a)
Polonaise for keyboard in G minor, BWV Anh. 125 (AMN II/19; by C.P.E. Bach, not JSB)
Minuet for keyboard No. 7 in G major, BWV Anh. 116 (AMN II/7; doubtful)
March for keyboard in D major, BWV Anh. 122 (AMN II/16; by C.P.E. Bach, not JSB)
Polonaise for keyboard in D minor, BWV Anh. 128 (AMN II/24; doubtful)
So oft ich meine Tobackspfeife (I), aria for voice & continuo, BWV 515a (BC H2) (AMN II/20a)
Musette for keyboard in D major, BWV Anh. 126 (AMN II/22; doubtful)
Partita for solo flute in A minor, BWV 1013: Sarabande
Warum betrübst du dich, aria for voice & continuo, BWV 516 (BC F215) (AMN II/33)
Rondo, for keyboard in B flat major, BWV Anh 183 (AMN II/6; by François Couperin not JSB)
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon A 2 Per Tonos: Ascendenteque Modulationis Ascendat Gloria Regis
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Fuga Canonica in Epidiapente (C Minor)