With elegance and wit, Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettanti. He dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, portraits of the Dilettanti were painted by George Knapton, Sir Joshua Reynolds, and Sir ...
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With elegance and wit, Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettanti. He dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, portraits of the Dilettanti were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. These include a striking group of mock-classical and mock-religious portraits, which Redford deconstructs deliciously. The society's support of expeditions to the Levant yielded pioneering architectural and archaeological folios, from The Antiquities of Athens (1762) to Specimens of Ancient Sculpture (1809). These monumental volumes aspired to empirical exactitude in text and image alike. As Redford shows, they combine the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights).
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Seller's Description:
Very Good. No Jacket As Issued. With elegance and wit, this volume recreates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettanti-a group founded in 1732 devoted to the study, and support of those studying, Greco-Roman antiquity. With elegance and wit, Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettanti. He dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, portraits of the Dilettanti were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. These include a striking group of mock-classical and mock-religious portraits, which Redford deconstructs deliciously. The society's support of expeditions to the Levant yielded pioneering architectural and archaeological folios, from 'The Antiquities of Athens' (1762) to 'Specimens of Ancient Sculpture' (1809). These monumental volumes aspired to empirical exactitude in text and image alike. As Redford shows, they combine the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights).
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New. 0892369248. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--232 pp. With 156 ills. (110 col. ). 27 x 22 cm. --with a bonus offer--
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
