"As a commentator on American music, and African American music in particular, Baraka occupies a unique niche. His intelligence, critical sense, passion, strong political stances, involvement with musicians and in the musical world, as well as in his community, give his work a quality unlike any other. As a reviewer and as someone inside the movement, he writes powerfully about music as few others can or do."--Steven L. Isoardi, author of "Central Avenue Sounds: Jazz in Los Angeles" "Every jazz musician who has endured ...
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"As a commentator on American music, and African American music in particular, Baraka occupies a unique niche. His intelligence, critical sense, passion, strong political stances, involvement with musicians and in the musical world, as well as in his community, give his work a quality unlike any other. As a reviewer and as someone inside the movement, he writes powerfully about music as few others can or do."--Steven L. Isoardi, author of "Central Avenue Sounds: Jazz in Los Angeles" "Every jazz musician who has endured beyond changing fashions and warring cultures has had a signature sound. Amiri Baraka--from the very beginning of his challenging, fiery presence on the jazz scene--has brought probing light, between his off-putting thunderclaps, on what is indeed America's classical music. I sometimes disagree insistently with Amiri, and it's mutual; but when he gets past his parochial pyrotechnics, as in choruses in this book, he brings you into the life force of this music."--Nat Hentoff, author of "The Jazz Life "
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Seller's Description:
Very good. First edition, first printing. SIGNED and inscribed by the author. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Wear commensurate with age and use. Clean unmarked copy. Dust jacket wrapped in protective mylar sleeve. Secure packaging for safe delivery.
