Poetry. Quiet, introspective, and darkly comedic, Nate Pritts' DECOHERENCE gathers strength like a giant wave. Pritts' syntax declares an argument for his style that calls up Frank O'Hara in its blend of playfulness with the slow machinations of the speaker's psyche. At some moments elegant, lyrical, and seamless; at others limping and broken, DECOHERENCE nevertheless swims along purposefully across leaps and omissions, navigating both tension and ease in a series of emotional risks. Reading Nate Pritts' new ...
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Poetry. Quiet, introspective, and darkly comedic, Nate Pritts' DECOHERENCE gathers strength like a giant wave. Pritts' syntax declares an argument for his style that calls up Frank O'Hara in its blend of playfulness with the slow machinations of the speaker's psyche. At some moments elegant, lyrical, and seamless; at others limping and broken, DECOHERENCE nevertheless swims along purposefully across leaps and omissions, navigating both tension and ease in a series of emotional risks. Reading Nate Pritts' new collection DECOHERENCE, I am reminded of the phrase 'do you see what I am saying?' Although the images in the poems vary, light is one element that runs throughout: 'Everything, it seems, is just waves of light' and 'I know that the only gift we can give to someone else / is context for all this light' and 'In morning light we are finally / cleansed of happening.' In fact, the final word is, literally, light. Enter these stanzas with Nate and see what he's saying. Be illuminated by DECOHERENCE.--Kimiko Hahn
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