The fourth volume of Naxos' survey of Debussy's orchestral works delves deeper into repertoire that is far less likely to be familiar to most listeners. The vast majority of the program is devoted to incidental music, including Debussy's music for the controversial Le martyre de Saint Sebastien, which was banned by the Catholic Church. The opening four sections are termed symphony fragments and are sometimes played as a stand-alone set. Debussy's writing for Khamma and Le roi Lear are even more obscure and were not actually ...
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The fourth volume of Naxos' survey of Debussy's orchestral works delves deeper into repertoire that is far less likely to be familiar to most listeners. The vast majority of the program is devoted to incidental music, including Debussy's music for the controversial Le martyre de Saint Sebastien, which was banned by the Catholic Church. The opening four sections are termed symphony fragments and are sometimes played as a stand-alone set. Debussy's writing for Khamma and Le roi Lear are even more obscure and were not actually even orchestrated by Debussy himself. The final selection, L'enfant prodigue, won Debussy the coveted Prix de Rome in 1884 and bares a stronger resemblance to the writing with which listeners are more accustomed. Performing this rather peculiar program is the Orchestre National de Lyon under conductor Jun Märkl. With such a lackluster program, listeners would hope for a performance that would bring the works to life with vibrant textures, sweeping musical gestures, and pristine...
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