American literature has known few writers capable of the comic ???lan and full-bodied portraiture that abound in the novels of Dawn Powell. Yet for decades after her death, Powell's work was out of print, cherished by a small band of admirers. Only recently has there been a rediscovery of the writer Gore Vidal calls "our best comic novelist," and whom Edmund Wilson considered to be "on a level with Anthony Powell, Evelyn Waugh, and Muriel Spark." In this, one of two volumes collecting nine novels, The Library of America ...
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American literature has known few writers capable of the comic ???lan and full-bodied portraiture that abound in the novels of Dawn Powell. Yet for decades after her death, Powell's work was out of print, cherished by a small band of admirers. Only recently has there been a rediscovery of the writer Gore Vidal calls "our best comic novelist," and whom Edmund Wilson considered to be "on a level with Anthony Powell, Evelyn Waugh, and Muriel Spark." In this, one of two volumes collecting nine novels, The Library of America presents the best of Powell's quirky, often hilarious, sometimes deeply moving fiction. My Home Is Far Away (1944), the last of Powell's novels set in Ohio, is a fictionalized memoir of Powell's difficult childhood. With The Locusts Have No King (1948), the story of a scholar's unexpected brush with the temptations of celebrity and riches, Powell resumed her lifelong dissection of New York's pretensions and glamour. The first of three brilliant postwar satires, it was followed by The Wicked Pavilion (1954), a novel that lays bare its characters' illusions about love and success against the backdrop of the Caf??? Julien, a relic of a bygone era in the history of Greenwich Village. The volume concludes with Powell's final novel, The Golden Spur (1962), in which she drew on her time spent among painters at the famed Cedar Tavern for an affectionate if pointed satire on Manhattan's art world. Dawn Powell's New York novels are exactly what she wanted them to be: "crystal in quality, sharp as the skyline, and relentlessly true." LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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As New in Not Issued jacket. Book. 8vo-over 7¾"-9¾" tall. Green cloth, spine panel lettered in gold foil, silk book mark sewn in, slipcased. Just a hint of shelf wear to slipcase, otherwise as new/as issued. 1st ptg. 976 pp.
This book is the second volume of the Library of America's compilation of the novels of Dawn Powell (1896 - 1965), a writer whose works have attained deserved if belated recognition. The first volume included five novels of Dawn Powell written between 1930 and 1942. This, the second, volume includes four of Powell's novels written between 1944 and 1965.
Powell's earlier novels generally are set in small-town Ohio in the early 20th Century. They have as themes what Powell saw as the conformity and frustration, sexual and otherwise, of small-town life. The main characters in these books, typically young people, long to escape to make a new life for themselves in the city. The latter novels are, for the most part, set in New York City where Powell lived most of her adult life. The novels are comic and satirical, sometimes sharply so. They reflect loss of innocence and love and, on occasion, fall into cynicism.
The first volume of the Library of America compilation included two early Ohio novels, "Dance Night' and "Come Back to Sorrento" and three novels reflecting Powell's change in style and theme and set in New York City, "Turn, Magic Wheel', "Angels on Toast", and "A Time to be Born."
The second volume opens with a novel in which Dawn Powell returned to the setting of small-town Ohio. The book, "My Home is Far Away" (1944), is a fictionalized account of Powell's early unhappy childhood. The book offers a poignant picture of the death of Powell's mother and of her father's remarriage to a cruel and jealous stepmother. There are excellent scenes of the family wandering through cramped Ohio towns and small dusty hotels and back neighborhoods. The father himself is portrayed as a travelling salesman who generally behaves carelessly and irresponsibly to his three daughters. Powell initially planned this book as the first of a trilogy. This project did not materialize.
In the next book in the collection, "The Locusts have no King"(1948), Powell returned to sharp satire and to New York City. The book is set after the conclusion of WW II and includes a memorable passage of reflection at the end on the United States atomic testing program at Bikini Atoll. The book contrasts the life of serious, scholarly writing and its difficulty with the life of superficial magazine publishing devoted to economic success and to popular culture. There is also a love story, serious to the participants, in which the main character of the book, a serious if unsuccessful scholar, becomes infatuated with a shallow, sexy blonde. This book reminded me of George Gissing's Victorian novel of the literary life, "New Grub Street" as well as of West's "Day of the Locust", which has some of the same themes and the same dark humor as does Powell's book.
Powell wrote "The Wicked Pavilion" in 1954. Unlike most of Powell's works, the book appeared on the best-seller lists for a very brief time. The book is set in New York City in the late 1940s and celebrates, if that is the word, a bar called "The Cafe Julien", located in Greenwich Village, and its patrons. The book is full of would-be artists without talent, unhappy lovers, and people on the lookout for the main chance. It is sharp, astringent satire very close to disillusion. The book is well and convincingly written.
Powell's final novel, and the last in this collection, "The Golden Spur" (1962) was nominated for the National Book Award. As does its predecessor, this novel centers around a drinking establishment which gives the book its title and its patrons. This book also is set in Greenwich Village in the 1950's and records the passing of an era. This novel, as are some of Powell's earlier works, is a coming-of-age story which tells the story of a young man who comes to New York City from Ohio to learn the identity of his father. In the process, the young man learns about himself as well. This book is impressive less for its story line than for the beautiful writing style Powell achieved in this, her last novel. The book is deliberately light in tone, and I think it ranks with Powell's best.
Dawn Powell produced a substantial body of excellent work describing the places and lives (primarily her own) with which she was familiar. The qualities of growing up, coming-of age, searching and frustration, and the loss of innocence are all well portrayed. The descriptions of New York City, in particular, are themselves irreplaceable. Those readers who enjoy the pleasure of discovering a previously little-known writer will enjoy the novels of Dawn Powell.
