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Seller's Description:
Very good in very good dust jacket. First Edition. A hardback First Edition in Very Good condition, in a similar dustjacket. This book is in stock now, in our UK premises. Photos of our books are available on request (the pictures you see on Alibris are NOT our own).
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Seller's Description:
Very good in very good dust jacket. First Edition. 1981 first edition. Hardcover with tight binding. Condition: Very Good. Clean and bright text. Includes a dust jacket, price unclipped, in near mint condition. ALL ITEMS ARE SENT BY ROYAL MAIL.
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Daumier. Fine in near fine jacket. With 226 illustrations, a few in color. 329 pages. Square 4to, beige boards, d.w. (Secaucus, NJ: Poplar Books, 1981). A fine copy in a near fine dust wrapper.
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Seller's Description:
Fine in Near Fine dust jacket. 0847803678. B&W and Color; 10 1/4 x 11 1/4 x 1 1/2"; 329 pages; Hard cover is yellow cloth. Slight rubbing to boards. DJ has slight rubbing, bumping. Pages are clean and tight. Lavishly illustrated with 226 pictures, some in color. Originally published in 1979, in French. 'Honoré-Victorin Daumier; February 26, 1808 – February 10, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870. He earned a living throughout most of his life producing caricatures and cartoons of political figures and satirizing the behavior of his countrymen in newspapers and periodicals, for which he became well known in his lifetime and is still known today. He was a republican democrat who attacked the bourgeoisie, the church, lawyers and the judiciary, politicians, and the monarchy. He was jailed for several months in 1832 after the publication of Gargantua, a particularly offensive and discourteous depiction of King Louis-Philippe. Daumier was also a serious painter, loosely associated with realism. Although he occasionally exhibited his paintings at the Parisian Salons, his work was largely overlooked and ignored by the French public and most of the critics of the day. Yet the poet and art critic, Charles Baudelaire and Daumier's fellow painters noticed and greatly admired his paintings, which were to have an influence on a younger generation of impressionist and postimpressionist painters. Later generations have come to recognize Daumier as one of the great French artists of the 19th century. Daumier was a tireless and prolific artist and produced more than 100 sculptures, 500 paintings, 1000 drawings, 1000 wood engravings, and 4000 lithographs. ' Notes; bibliography; index. Extra heavy/5#.
