Alex Proyas (The Crow) directed this noir-styled futuristic thriller, scripted by Proyas, Lem Dobbs (Kafka), and David S. Goyer (The Puppet Masters). Separated from his wife Emma (Jennifer Connelly), amnesiac John Murdoch (Rufus Sewell) awakens alone in a strange hotel to learn he is wanted for a series of brutal killings -- but he can't remember if he did or didn't commit these murders. Indeed, most of his memories have completely vanished, and he becomes the focus of interest for both mad genius Dr. Schreber (Kiefer ...
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Alex Proyas (The Crow) directed this noir-styled futuristic thriller, scripted by Proyas, Lem Dobbs (Kafka), and David S. Goyer (The Puppet Masters). Separated from his wife Emma (Jennifer Connelly), amnesiac John Murdoch (Rufus Sewell) awakens alone in a strange hotel to learn he is wanted for a series of brutal killings -- but he can't remember if he did or didn't commit these murders. Indeed, most of his memories have completely vanished, and he becomes the focus of interest for both mad genius Dr. Schreber (Kiefer Sutherland) and sympathetic detective Frank Bumstead (William Hurt). Attempting to unravel the twisted riddle of his identity, Murdoch encounters a group of ominous beings known as the Strangers, shadow-like figures who have a collective memory and possess the ability to stop time and alter physical reality through a process called The Tuning. Focusing their minds, they are able to change the size and shape of the material world. Murdoch manages to stay a step ahead of his adversaries as he slowly jigsaws together the puzzle of his past-bittersweet memories of his childhood, his love for Emma, and the key to the murders -- while following a labyrinth leading to the Strangers' Underworld, a set inspired by Fritz Lang's Metropolis. Rufus Sewell commented on the Underworld: "When Alex first sent me the sketches for that set, I was more excited than I had been when I read the script. The Underworld was truly remarkable -- a little bit scary, very thrilling, and full of hundreds of bald people." At the Fox Film Studios in Sydney, Australia, where 50 sets were built, three months were spent constructing the set for the Underworld, the largest indoor set ever built in Australia. The production design by George Liddle (Rapa Nui) and Patrick Tatopoulos (Godzilla, Space: Above and Beyond) is a composite of different styles and eras, combining the look of 1940s Manhattan with German Expressionism. The music is by Trevor Jones (G.I. Jane). The film's dedication reads: "In Memory of Dennis Potter with gratitude and admiration." Bhob Stewart, Rovi
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Mitchell Butel, John Bluthal, Colin Friels, Bruce Spence, Ian Richardson, Richard O'Brien, William Hurt, Jennifer Connelly,... Very good. 1998 Run time: 100. Providing great media since 1972. All used discs are inspected and guaranteed. Digital copy/codes may be expired or not included. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Mitchell Butel, John Bluthal, Colin Friels, Bruce Spence, Ian Richardson, Richard O'Brien, William Hurt, Jennifer Connelly,... Very good. 1998 Run time: 100. Providing great media since 1972. All used discs are inspected and guaranteed. Digital copy/codes may be expired or not included. We ship orders daily and Customer Service is our top priority!
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Good. Disc(s) and case show moderate signs of wear and tear. If applicable, digital code may not be useable/ included. May be missing booklet/inserts. If applicable, cardboard slipcover may not be included.
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Seller's Description:
Mitchell Butel, John Bluthal, Colin Friels, Bruce Spence, Ian Richardson, Richard O'Brien, William Hurt, Jennifer Connelly,... Very good. 1998 Run time: 100. Providing great media since 1972. All used discs are inspected and guaranteed. Digital copy/codes may be expired or not included. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Mitchell Butel, John Bluthal, Colin Friels, Bruce Spence, Ian Richardson, Richard O'Brien, William Hurt, Jennifer Connelly,... Very good. 1998 Run time: 100. Providing great media since 1972. All used discs are inspected and guaranteed. Digital copy/codes may be expired or not included. We ship orders daily and Customer Service is our top priority!
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Condition: GOOD-Disc(s) used with some wear from use. May include minor surface scratches on disc(s), wear to case which could include cracks, scratches, or stickers. Hub and case locks may be broken. Digital codes NOT guaranteed/may be redeemed. All orders ship via UPS Mail Innovations-can take up to 14 business days from first scan to be delivered.
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All our items come in the original case with artwork, though manuals and slipcovers are not always guaranteed to be included as these items are donated goods. We typically resurface discs that are visibly scratched prior to shipping, but we do not test disc(s). Digital codes may not be included and have not been tested to be redeemable and/or active. Thank you for shopping with Goodwill Colorado! Orders shipped Monday through Friday. Safe and Secure Bubble Mailer! Your purchase helps put people to work and learn life skills to reach their full potential. Thank you!
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Bruce Spence, Ian Richardson, Richard O'Brien, Jennifer Connelly, Kiefer Sutherland, William Hurt, Rufus Sewell. Very good. 2008 Run time: 111. Providing great media since 1972. All used discs are inspected and guaranteed. Digital copy/codes may be expired or not included. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Mitchell Butel, John Bluthal, Colin Friels, Bruce Spence, Ian Richardson, Richard O'Brien, William Hurt, Jennifer Connelly,... Very good. 1998 Run time: 100. Providing great media since 1972. All used discs are inspected and guaranteed. Digital copy/codes may be expired or not included. We ship orders daily and Customer Service is our top priority!
If you stripped the Matrix of its sexy video game appeal, hipster takes on its source material, added a plot, a far more interesting visual style, a meaningful sense of drama instead of pointless choreography, etc. you'd get Dark City. It's a much more thoughtful concept of the Matrix for people over 13.
I suspect in 20 years, it'll still hold up really well. It perhaps won't be as seminal of an event as say Blade Runner, but it'll still be one of those old movies you can recommend to others as a solid, well-rounded take on "your whole world is a lie" type of fantasies (and it'll still look gorgeous too.)