Czech animator Jan Svankmajer is one of the most distinctive and influential of contemporary filmmakers. As a leading member of the Prague Surrealist Group, his work is linked to a rich avant-garde tradition and an uncompromising moral stance that brought frequent tensions with the authorities in the normalization years following the Soviet invasion of Czechoslovakia in 1968. Svankmajer's formative influences have been the pre-war surrealists, the Prague of Rudolf II, experimental theatre, folk puppetry and, above all, the ...
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Czech animator Jan Svankmajer is one of the most distinctive and influential of contemporary filmmakers. As a leading member of the Prague Surrealist Group, his work is linked to a rich avant-garde tradition and an uncompromising moral stance that brought frequent tensions with the authorities in the normalization years following the Soviet invasion of Czechoslovakia in 1968. Svankmajer's formative influences have been the pre-war surrealists, the Prague of Rudolf II, experimental theatre, folk puppetry and, above all, the political traumas of the past 50 years. Like his contemporaries--including playwright president Vaclav Havel, and, in exile, novelist Milan Kundera and filmmaker Milos Forman--Svankmajer's dominant life experiences have been the realities of the Stalinist system, both the explicit state terror of the 1950s and the Brezhnevist neo-Stalinism of the 1970s and the 1980s. After training in puppetry and working in the Prague theatre, he made his first film in 1964. He directed a number of important films in the 1960s, including the live-action and Kafkaesque Byt ( The Flat , 1968) and Zahrada ( The Garden , 1968) and consolidated his international reputation with Moznosti dialogu ( Dimensions of Dialogue ) in 1982. Since then, he has continued his highly visual and poetic approach in two feature-length films, Neco z Alenky ( Alice , 1987) and Lekce Faust ( Faust , 1994). As a filmmaker, Svankmajer is constantly exploring and analyzing his concern with power, fear and anxiety, confrontation and destruction, magic, the irrational and the absurd, and displays a bleak outlook on the possibilities for dialogue. In challenging accepted narrative, the bourgeoisie of realism (nezval), and the thematic and formal conventions of the mainstream media, Svankmajer's work is startlingly dynamic, subversive, and confrontational.
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Seller's Description:
Used-VeryGood. Softcover in very good condition. 8.5' x 5.5' x.5'. mint green wraps in very good condition. minimal shelf wear. pages and edges are clean.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 400grams, ISBN: 9780275952990.
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Very Good. Size: 8x5x0; Inscribed by editor Peter Hames to Minneapolis filmmaker and raconteur Al Milgrom, from Milgrom's personal collection ("To Al, with best wishes, Peter / Prague 1996"). Binding is tight, sturdy, and square; very minor wear to corners of grey cloth boards, black titling remains bright and bold; text also very good. No dust jacket, as issued. Ships from Dinkytown in Minneapolis, Minnesota.
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Good. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of boards and ends of spine strip. Secure packaging for safe delivery.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
