Dan Graham's body of art and theory--which dates from shortly after he moved to New York in 1964--has become a key part of the Conceptual art canon. He is a highly influential figure in the field of Contemporary art, both as a practitioner and as a well-respected critic and theorist. Best known for his large-scale installations incorporating mirrors--in which viewers become lost in a maze of reflections that they must navigate and interpret as they simultaneously see themselves and other viewers reflected--Graham has long ...
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Dan Graham's body of art and theory--which dates from shortly after he moved to New York in 1964--has become a key part of the Conceptual art canon. He is a highly influential figure in the field of Contemporary art, both as a practitioner and as a well-respected critic and theorist. Best known for his large-scale installations incorporating mirrors--in which viewers become lost in a maze of reflections that they must navigate and interpret as they simultaneously see themselves and other viewers reflected--Graham has long examined the psychological relationship between people and architecture. This volume looks at Graham's key works and incorporates a collection of his seminal writings. A second edition, this important expanded monograph contains new material not found in the first.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
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Used-Very Good in Good jacket. Dan Graham's body of art and theory--which dates from shortly after he moved to New York in 1964--has become a key part of the Conceptual art canon. He is a highly influential figure in the field of Contemporary art, both as a practitioner and as a well-respected critic and theorist. Best known for his large-scale installations incorporating mirrors--in which viewers become lost in a maze of reflections that they must navigate and interpret as they simultaneously see themselves and other viewers reflected--Graham has long examined the psychological relationship between people and architecture. This volume looks at Graham's key works and incorporates a collection of his seminal writings. A second edition, this important expanded monograph contains new material not found in the first. Beautiful copy, tight binding. Jacket in good condition, with protective Brodart cover.
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New in shrinkwrap. Gray boards, white and color-photographic dust jacket with black lettering. 295 pp. BW and color illustrations. "Since the mid-1960s, Dan Graham (Urbana, Illinois, 1942) has produced an important body of art and theory that engages in a highly analytical discourse on the historical, social and ideological functions of contemporary cultural systems. He is a highly influential figure in the field of contemporary art, both as a practitioner of conceptual art and as a well-versed art critic and theorist. Graham's work questions the relationship between people and architecture and the psychological effects it has on us. His work highlights the awkwardness that occurs when intimate moments or details are rudimentarily broadcast in an impersonal manner, as he continues to investigate the voyeuristic act of seeing oneself reflected, whilst at the same time watching others." "This monograph analyzes his main works and collects most of the seminal writings by the artist."-Jacket.