It looks like the return of the loverman on the cover of Big Daddy Kane's sixth LP, Daddy's Home, though hardcore fans who bought it anyway were treated to a tight, tough record that alternated classic Kane with a few surprisingly successful detours and enough space to salute the next generation of East Coast hardcore. He set it off on an excellent opener, breaking up his usually quick flow for a few gems of carefully phrased, lyrically lurching rap that make him sound like the return of the drunken master. "Brooklyn Style. ...
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It looks like the return of the loverman on the cover of Big Daddy Kane's sixth LP, Daddy's Home, though hardcore fans who bought it anyway were treated to a tight, tough record that alternated classic Kane with a few surprisingly successful detours and enough space to salute the next generation of East Coast hardcore. He set it off on an excellent opener, breaking up his usually quick flow for a few gems of carefully phrased, lyrically lurching rap that make him sound like the return of the drunken master. "Brooklyn Style...Laid Out" and the hands-in-the-air jam "In the PJ's" are great double features for Big Daddy Kane and Big Scoob. For the irresistible "Show and Prove," Big Daddy Kane invited a pair of young rappers, Jay-Z and Ol' Dirty Bastard, well before they would appear on their own records (both MCs' styles are definitely in place, and Jay-Z gets in a few zany speed raps). One detour that didn't work was "Don't Do It to Yourself," an attempt at duplicating West Coast G-funk that doesn't come across. Despite a few choruses that sounded a little tired, Daddy's Home proved that Kane was still in prime form. ~ John Bush, Rovi
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