This volume examines how the grotesque has shaped the history, practice, and theory of art in the nineteenth and twentieth centuries. The grotesque entered into the mainstream of modern expression during the romantic era. It has been adopted by a succession of artists as a way to push beyond established boundaries, to explore alternate modes of experience and expression, and to challenge the status quo. Examining specific images by a range of artists, such as Ingres, Gauguin, Hoch, de Kooning, Polke, and Mona Hatoum, the ...
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This volume examines how the grotesque has shaped the history, practice, and theory of art in the nineteenth and twentieth centuries. The grotesque entered into the mainstream of modern expression during the romantic era. It has been adopted by a succession of artists as a way to push beyond established boundaries, to explore alternate modes of experience and expression, and to challenge the status quo. Examining specific images by a range of artists, such as Ingres, Gauguin, Hoch, de Kooning, Polke, and Mona Hatoum, the essays also encompass a variety of media, including medical illustration, paintings, prints, photography, multimedia installations, and film. This study brings into focus a range of subjects, styles and theoretical viewpoints that have traditionally been marginalized in the standard narratives on modernism. It demonstrates how the grotesque in modern art directly ties into current debates regarding the representation of race and gender, abjection and the other, globalization, and appropriation.
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Seller's Description:
X-lib. with all attendant defects o/w a good working copy. Lightly soiled and stained, bug-chewed. Spine ends chipped and split. Corners worn to boards. Int hinges breaking at endpapers, other split or weak hinges, pages browned.
Publisher:
Oliver Ditson Co./C. H. Ditson & Company/Lyon & Healy/J. E. Ditson &...
Language:
English
Alibris ID:
9697875058
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Seller's Description:
Good+ to Very Good- No Dust Jacket. 12mo-over 6¾"-7¾" tall. (1880) 364+pp. Original brown cloth covers w/ gilt title on spine. Few, tiny blue paint spots (? ) on front cover. Modest wear to corners; light fraying to spine ends. Top edge gilt. Previous owner's name on front endpaper. Edges of leaves lightly age toned, otherwise, contents nice.