By his third album, Brown and producer Richard Bennett could be pretty confident they weren't going to get any radio play, so they just cut loose and made as pure an album as Brown was had in him. "You Must Be Mistakin' Me" and "Too Blue to Crow" possess a country sound so hard, they make most New Traditionalists sound like Muzak. Brown cuts Moon Mullican's "Cherokee Boogie," sings "Shameless Lies" with Melba Montgomery, shamelessly cops from Buddy Holly's "Crying, Waiting, Hoping" with the title cut, and finishes with a ...
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By his third album, Brown and producer Richard Bennett could be pretty confident they weren't going to get any radio play, so they just cut loose and made as pure an album as Brown was had in him. "You Must Be Mistakin' Me" and "Too Blue to Crow" possess a country sound so hard, they make most New Traditionalists sound like Muzak. Brown cuts Moon Mullican's "Cherokee Boogie," sings "Shameless Lies" with Melba Montgomery, shamelessly cops from Buddy Holly's "Crying, Waiting, Hoping" with the title cut, and finishes with a gorgeous duet with Joy Lynn White on "I Love Only You." ~ Brian Mansfield, Rovi
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