This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other ...
Read More
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
None. Fair. A varied exploration into the different forms, theories, iconic artists, and philosophy of the fine arts. "The reprint of this volume has been thought desirable. It is presented to the Public with very few alterations, and those chiefly taken from marginal corrections and paraphrases by Sir Chas. Eastlake in his own copy." Illustrations throughout the text including representations of sculptures. In a half calf binding with marbled boards. Externally, a trifle rubbed. Backstrip is weak and may detach in the post. Rear board is held by the cords only, and front joint is starting. Both hinges are strained. Internally, firmly but with bright pages. Pages are clean but with light spotting to endpapers. Fair.