Demi Lovato is never shy with their album titles. They shrugged that their second album offered more of the same (Here We Go Again), they bounced back whole from a turbulent spell (Unbroken), they found a new mature identity (Demi) and, on their fifth album, they're all about being Confident. Deservedly so, too, because this 2015 album is Lovato's best all-around record since their 2008 debut, Don't Forget. Confident is steely, assured dance and shimmering electro-pop, as much a reflection of its time as the sugary blast of ...
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Demi Lovato is never shy with their album titles. They shrugged that their second album offered more of the same (Here We Go Again), they bounced back whole from a turbulent spell (Unbroken), they found a new mature identity (Demi) and, on their fifth album, they're all about being Confident. Deservedly so, too, because this 2015 album is Lovato's best all-around record since their 2008 debut, Don't Forget. Confident is steely, assured dance and shimmering electro-pop, as much a reflection of its time as the sugary blast of Radio Disney pop on Don't Forget. If that debut seemed somewhat driven by producers, Confident feels directed by Lovato, who seems to take some pride in being a bit of a pop magpie, sampling from every glittering sound flickering across the pop charts in the two years since Demi. They're fortunate to be aided by some of the best producers and writers in the business. Max Martin collaborates on three tracks, the same number as Steve Mac, with Stargate and Ryan Tedder showing up elsewhere, and while their work helps Lovato echo everyone from Katy Perry to Beyoncé, it never quite seems like the singer is mimicking them: instead, they're carving out their persona -- something sexy, flinty, and impassioned, the stance of a survivor, not a carpetbagger -- through the best of what's around. Given this boldness, it's little surprise that Demi often fares best with the numbers that are brassy: the big, heavy swing of the title track, the same-sex seduction of "Cool for the Summer," the empowering "For You" and "Lionheart," the latter a gleaming Wall of Sound. When the tempo slows, Lovato can sometimes stumble -- "Father" is spare and skeletal but indistinct, a sketch that is nevertheless preferable to the shoehorned Iggy Azalea cameo on "Kingdom Come" -- yet here, they also illustrate how they can affect Lana Del Rey's affectless effect and conjure some of the lushness of Ellie Goulding's neon-streaked midnight anthems, so when these ballads are added to the brighter, swifter numbers, the cumulative result is a messy, colorful modern pop record that is greater than the sum of its parts. ~ Stephen Thomas Erlewine, Rovi
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