As children, we used to go with my mom to the trailer . . . to bring Clementine paint and canvas. . . . Clementine would paint the person most important to her as the biggest person, thus my mom was largest in the picture. --Marguerite Cissy Brittain Picou . . . her painting impressed me. It is really not at all primitive. It is very civilized--as Gertrude Stein said of the African wood carvings that influenced Matisse and particularly Picasso, almost fifty years ago. --Alice B. Toklas The British publication ...
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As children, we used to go with my mom to the trailer . . . to bring Clementine paint and canvas. . . . Clementine would paint the person most important to her as the biggest person, thus my mom was largest in the picture. --Marguerite Cissy Brittain Picou . . . her painting impressed me. It is really not at all primitive. It is very civilized--as Gertrude Stein said of the African wood carvings that influenced Matisse and particularly Picasso, almost fifty years ago. --Alice B. Toklas The British publication ARTbibliographies says that the author provides a detailed biography of Hunter, describes her studio, and traces the development of her artistic career in Melrose, Louisiana. Independent Publisher describes it as a beautifully published testament to an American original.
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Fine Condition in Fine Condition jacket. Book 160 pages 100 illustrations in color. Tight binding, sharp edges and corners on the boards, bright and unblemished dustjacket, with a clean and unmarked interior. Foreword by Mildred Hart Bailey. Introduction by James L. Wilson. Selected Bibliography.
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New. 088289658X. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened---with a bonus offer--
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