Claude Bragdon (1866-1946) was a first-generation modernist architect, as well as an illustrator, critic, theorist and theater designer. Bragdon practiced architecture in Rochester, New York throughout the Progressive Era. Although his masterpiece, the New York Central Railroad Station, was demolished in the 1960s-70s, the First Universalist Church, the Bevier Memorial Building, the Peterborough Bridge near Toronto, and nearly 100 residences remain today. A prolific and influential writer, Bragdon published more than twenty ...
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Claude Bragdon (1866-1946) was a first-generation modernist architect, as well as an illustrator, critic, theorist and theater designer. Bragdon practiced architecture in Rochester, New York throughout the Progressive Era. Although his masterpiece, the New York Central Railroad Station, was demolished in the 1960s-70s, the First Universalist Church, the Bevier Memorial Building, the Peterborough Bridge near Toronto, and nearly 100 residences remain today. A prolific and influential writer, Bragdon published more than twenty books and hundreds of articles. He was nationally known for his graphic art, his writing on the fourth dimension, his Song & Light Festivals of 1915-1918, and his role in theater's New Stagecraft. He had technical and artistic expertise in many disciplines, making it difficult to categorize his work into a specific stylistic trend. Bragdon's work as an early modernist is important both in its own right and as a key to other 20th Century architects' work. The book includes a complete bibliography of Bragdon's published work, a timeline and an index. Contributors: Eugenia Victoria Ellis, Paul Emmons, Marcia Feuerstein, Marie Frank, Jean France, Joscelyn Godwin, Linda Dalrymple Henderson, Christina Malathouni, Jonathan Massey, Mary Nixon, Joan Ockman, Andrea Reithmayr and Richard Guy Wilson.
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New. 1933360437. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--240 pages; 244 illus. --with a bonus offer--
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Well-illustrated. Fine copy. 4to, 216 pp., Eleven essays edited by Eugenia Victoria Ellis and selections from an exhibition at the Department of Rare Books and Special Collections, University of Rochester River Campus Libraries curated by Andrea G. Reithmayr.
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