This four-CD set puts Marvin Rainwater's recording career from 1953 through 1969 into sharp relief, most notably his inability to fix on a sound, either country or rockabilly, and stick with it. In a fairer world, he wouldn't have had to decide, because he was good at both. Disc One opens with his earliest officially released sides, which ran the gamut from rockabilly to faux-western to upbeat comic country-pop to country-blues, and one good dog song ("Tennesse Hound Dog Yodel"). Rainwater's best numbers here, however, may ...
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This four-CD set puts Marvin Rainwater's recording career from 1953 through 1969 into sharp relief, most notably his inability to fix on a sound, either country or rockabilly, and stick with it. In a fairer world, he wouldn't have had to decide, because he was good at both. Disc One opens with his earliest officially released sides, which ran the gamut from rockabilly to faux-western to upbeat comic country-pop to country-blues, and one good dog song ("Tennesse Hound Dog Yodel"). Rainwater's best numbers here, however, may be the raucous rocker "Hot and Cold" and the only slightly more restrained "Mr. Blues," both of which show off Roy Clark's lead guitar in the strongest light. Disc Two is more consistent, with fewer of the pop efforts of the prior years. The rockabilly sides, especially "(There's Always) A Need for Love," really spark this disc and provide the real drive around more convention pop/rock & roll numbers like "I Dig You Baby." Disc Three has its great moments, such as "It Wasn't Enough," amid a series of duets with singer Bill Guess that present Rainwater at his most commercial and accessible. Disc Four contains Rainwater's earliest sides, cut as demos in 1953 and 1954, and while the quality of the sound is a little shaky, the stuff goes to the core of Rainwater's music-making, freewheeling studio performances without looking for the next big hit or trying to catch the wave of public fancy. The real joy here, however, are five live numbers recorded in 1962 -- Rainwater, already gone from MGM and disillusioned, still loved playing to an audience, as these sides show, and the only pity is that there isn't more of this stuff, especially since the sound is unexpectedly good. ~ Bruce Eder, Rovi
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