"An extremely impressive achievement. . . . The book is overwhelming in its attention to both detail and the larger picture. It should have a tremendous impact on the field."--Susan McClary, author of "Feminine Endings" "All future discussion of the Italian madrigal . . . will be profoundly indebted to Feldman's musical sensitivities and perceptiveness, to her wide reading in literary theory of the period, and to her extraordinary skill in making musical events palpable."--H. Colin Slim, editor of "A Gift of Madrigals and ...
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"An extremely impressive achievement. . . . The book is overwhelming in its attention to both detail and the larger picture. It should have a tremendous impact on the field."--Susan McClary, author of "Feminine Endings" "All future discussion of the Italian madrigal . . . will be profoundly indebted to Feldman's musical sensitivities and perceptiveness, to her wide reading in literary theory of the period, and to her extraordinary skill in making musical events palpable."--H. Colin Slim, editor of "A Gift of Madrigals and Motets" "With this book Professor Feldman establishes herself as the leading authority on the subjects of the Venetian madrigal and of humanistic musical culture in 16th-century Venice. There is nothing of this scope and quality to be found in previous scholarly literature."--James Haar, author of "Essays on Italian Poetry and Music in the Renaissance, 1350-1600" "This marvelously interdisciplinary book illuminates the social and intellectual mobility of sixteenth-century Venetian culture, its intricate weave of private and public civic identities, and the paradoxes and tensions of its quest for diversity and unprecedented fusion of rhetorical principles and expressive idioms in music, poetry, and the other arts. It offers an astounding wealth of information and insight for historians of ideas, literary specialists, and music historians."--William J. Kennedy, author of "Authorizing Petrarch"
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1450grams, ISBN: 0520083148.
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Seller's Description:
Fine in Very Good jacket. Book (xxxi) 473 pp, selective bibliography, index, b/w plates, some music notation, illustrated endpapers, green cloth, 4to. Fine, dust jacket small scuff front, very good.
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Seller's Description:
Textual photo & musical ill. Minor rubbing. Slight page-edge soil. VG., dustwrapper. 26x18cm, xxxi, 473 pp. Contents: Patrons & Academies in the City: Flexibility in the Body Social; Florentines in Venice & the Madrigal at Home; Petrarchizing the Patron: Vernacular Dialogics & Print Technology; Ritual Language, New Music: Encounters in the Academy of Domenico Vernier; Rhetorical Underpinnings: Currents in Venetian Literary & Linguistic Theory: The Consolidation of Poetry & Rhetoric; Currents in Venetian Music Theory: The Consolidation of Music & Poetry; Petrarchism & the Repertory of Venetian Madrigals: The Madrigals of Adrian Willaert; The Enigma of Rore: Books One & Two for Five Voices; Willaert's Protégés at San Marco: Codification, Dissemination, and Subversion; Epilogue: "Sopra le stanze del Petrarca in laude della Madonna": Rore's Vergine Cycle of 1548.