In her writings and interviews, as well as in her filmscripts, Trinh T. Minh-ha explores what she describes as the "infinite relation" of word to image. Cinema-Interval brings together her recent conversations on film and art, life and theory, with Homi Bhabha, Deb Verhoeven, Annamaria Morelli and other critics. Together these interviews offer the richest presentation of this extraordinary artist's ideas. Extensively illustrated in color and black and white, Cinema-Interval covers a wide range of issues, many of them ...
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In her writings and interviews, as well as in her filmscripts, Trinh T. Minh-ha explores what she describes as the "infinite relation" of word to image. Cinema-Interval brings together her recent conversations on film and art, life and theory, with Homi Bhabha, Deb Verhoeven, Annamaria Morelli and other critics. Together these interviews offer the richest presentation of this extraordinary artist's ideas. Extensively illustrated in color and black and white, Cinema-Interval covers a wide range of issues, many of them concerning "the space between"--between viewer and film, image and text, interviewer and interviewee, lover and beloved. As an added bonus, the complete scripts of Trinh's films Surname Viet Given Name Nam and A Tale of Love are also included in the volume.
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Seller's Description:
Very good. No jacket. Signed and inscribed in black ink by the author, T. Minh-Ha Trinh, on half-titlepage. Cover is lightly rubbed, but text and images are clear and bright. Binding is tight. Other than author's inscription, inside is clean and unmarked.