This volume is an illustrated anthology of 300 pieces surveying the work of Christopher Dresser, known as "the father of modern design." Like William Morris he believed that beautiful design should be available to everyone, unlike Morris, he thought that mass production was the best way to achieve that, and this dichotomy neatly represents his place as a bridge between the Arts & Crafts movement and industrial design. This book looks at all aspects of Dresser's career including wallpaper design, a wide variety of metalwork ...
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This volume is an illustrated anthology of 300 pieces surveying the work of Christopher Dresser, known as "the father of modern design." Like William Morris he believed that beautiful design should be available to everyone, unlike Morris, he thought that mass production was the best way to achieve that, and this dichotomy neatly represents his place as a bridge between the Arts & Crafts movement and industrial design. This book looks at all aspects of Dresser's career including wallpaper design, a wide variety of metalwork (most notably tableware and teapots), textile design, pottery, and glassware. His fascination with Japanese art and design gave his metalwork in particular a clean, minimalist look that seems to anticipate much of modern design from Bauhaus to Michael Graves. Well known and respected in his lifetime, his reputation suffered in the years after his death, and it is only in the last few decades that interest in his work has been revived. As a result, his pieces can be found in the collections of art museums nationwide and continue to sell well at auction. A long overdue look at one of design's most influential figures, this book will be a welcome addition to any design lover's library.
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Seller's Description:
Very Good. Size: 9x0x11; Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. Small scuff on dj. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.
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Seller's Description:
Very Good in Good+ dust jacket. 8884911028. With b/w & coloured plates & illustrations. Slight wear to spine, covers & corners. Dustjacket somewhat worn.; "Christopher Dresser: 1834-1904" is a fascinating exploration of one of the most innovative and influential designers of the Victorian era. This comprehensive book delves into the life and work of Christopher Dresser, whose forward-thinking designs in decorative arts paved the way for modern industrial design principles. The text illuminates Dresser's revolutionary approach to design, characterized by functionality, simplicity, and beauty, which was markedly ahead of his time. His work spanned various mediums, including textiles, ceramics, glass, and metalware, showcasing his versatility and deep understanding of material properties. The book is richly illustrated, featuring a wide array of Dresser's designs, from intricate botanical drawings to the sleek geometrical patterns of his household items, providing readers with a visual appreciation of his artistic genius. Additionally, it places Dresser's contributions within the broader context of 19th-century design and industrial innovations, highlighting his role in transforming Victorian aesthetics and influencing future generations of designers. This volume is an essential read for anyone interested in the history of design and the legacy of a visionary who helped shape the modern world.; Folio; 208 pages.
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Seller's Description:
Used-Very Good in Good jacket. This volume is an illustrated anthology of 300 pieces surveying the work of Christopher Dresser, known as 'the father of modern design. ' Like William Morris he believed that beautiful design should be available to everyone, unlike Morris, he thought that mass production was the best way to achieve that, and this dichotomy neatly represents his place as a bridge between the Arts & Crafts movement and industrial design. This book looks at all aspects of Dresser's career including wallpaper design, a wide variety of metalwork (most notably tableware and teapots), textile design, pottery, and glassware. His fascination with Japanese art and design gave his metalwork in particular a clean, minimalist look that seems to anticipate much of modern design from Bauhaus to Michael Graves. Well known and respected in his lifetime, his reputation suffered in the years after his death, and it is only in the last few decades that interest in his work has been revived. As a result, his pieces can be found in the collections of art museums nationwide and continue to sell well at auction. A long overdue look at one of design's most influential figures, this book will be a welcome addition to any design lover's library. Rear of dust jacket rubbed, lightly toned along front edges; otherwise, very nice, clean, tight copy free of any marks. Wrapped in complimentary Brodart dust jacket protector.
