If playing "name the composer" with this disc of works for cello, most listeners would be confounded. Is that scented melody by Fauré, that sensuous harmony by Ravel, that bluesy turn of phrase by Gershwin, that quirky rhythm by Hindemith, that glinting color by Stravinsky? Nope -- it's all by Arthur Honegger, and encountering this disc will no doubt raise many listeners' estimation of the French-Swiss modernist. No matter what its influences, the music here holds together as the expression of an individualistic if somewhat ...
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If playing "name the composer" with this disc of works for cello, most listeners would be confounded. Is that scented melody by Fauré, that sensuous harmony by Ravel, that bluesy turn of phrase by Gershwin, that quirky rhythm by Hindemith, that glinting color by Stravinsky? Nope -- it's all by Arthur Honegger, and encountering this disc will no doubt raise many listeners' estimation of the French-Swiss modernist. No matter what its influences, the music here holds together as the expression of an individualistic if somewhat eccentric personality. Joining works from Honegger's late youth and early maturity, this disc features Swiss cellist Christian Poltéra performing with a wide variety of international partners. In the 1929 Cello Concerto, he's accompanied by Finnish conductor Tuomas Ollila-Hannikainen leading the Swedish Malmö Symphony Orchestra. In the sonata from 1920 and the sonatina, he's partnered with English pianist Kathryn Stott. And in the sonatina from 1932, he's matched with German...
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