Christ and Apollo juxtaposes Christian definiteness to romantic mythologizing. A strong warning might be in order: anyone coming to this book expecting a comparison of Jesus Christ to the god Apollo or a treatment of Greek mythology next to the Christian story will be disappointed. Lynch's Apollo is not the god who batters Achilles' armor from the shoulders of Patroklos in Book XVI of the Iliad, but the symbol of art as dream reconceived by Nietzsche in The Birth of Tragedy . Lynch treats Apollo not as a poetic ...
Read More
Christ and Apollo juxtaposes Christian definiteness to romantic mythologizing. A strong warning might be in order: anyone coming to this book expecting a comparison of Jesus Christ to the god Apollo or a treatment of Greek mythology next to the Christian story will be disappointed. Lynch's Apollo is not the god who batters Achilles' armor from the shoulders of Patroklos in Book XVI of the Iliad, but the symbol of art as dream reconceived by Nietzsche in The Birth of Tragedy . Lynch treats Apollo not as a poetic particular-as real in that regard as Ajax or Odysseus-but as an imaginary deity over against the historical existence of Christ: "I take even the symbol of Apollo as a kind of infinite dream over against Christ who was full of definiteness and actuality-and was on that account rejected by every gnostic system since, even up to now. Even if a little unjustly, let Apollo stand for everything that is weak and pejorative in the 'aesthetic man' of Kierkegaard and for that kind of fantasy beauty which is a sort of infinite, which is easily gotten everywhere, but which will not abide the straitened gates of limitation that leads to stronger beauty." Christ and Apollo presents these "straitened gates of limitation" as the great good of literature. Insisting on the "universal limitation, or particularity" that provokes the response of the imagination, Lynch writes that "the heart, substance, and center of the human imagination, as of human life, must lie in the particular and limited image or thing." This sui generis study reaches into the very heart of literature's nature, from the Greek dramatists to Dante, from Shakespeare to Proust, from Camus to Greene.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good. Size: 8x5x1; Very good hardcover, from a personal collection (NOT ex-library). Binding is tight, sturdy, and square; boards and text also very good. No DJ (None issued? ). Ships from Dinkytown in Minneapolis, Minnesota.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good. Size: 9x6x1; Hardcover and dust jacket. Good binding and cover. Shelf wear. Offsetting from tape and jacket on end pages. Pages unmarked. xvii, 267 p., 22 cm. "In this present work, Father Lynch is concerned with the fact that both the artist and the theologian have the vocation to uncover the real and to present their vision to their fellow man."
