Marcel Carne symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. The first critical biography of this director of classic films, including the epic historical romance "Les Enfants du paradis" (Children of Paradise), relates the saga of Carne's meteoric rise in the 1930s and his decline from critical grace after the war. Between 1937 and 1945 Carne directed a number of works that are now part of ...
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Marcel Carne symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. The first critical biography of this director of classic films, including the epic historical romance "Les Enfants du paradis" (Children of Paradise), relates the saga of Carne's meteoric rise in the 1930s and his decline from critical grace after the war. Between 1937 and 1945 Carne directed a number of works that are now part of France's cultural patrimony, most notably "Le Quai des Brumes" (1938), "LeJour se leve" (1939), "Les Visiteurs du soir" (1942), and the best known, "Les Enfants du paradis" (1945). The artistic merit of these films is widely acknowledged; their significance, however, is not solely aesthetic. To know Carne and his films is to know how cinematic art responded to social and political events -- to the period of French history that witnessed the Popular Front, the Front's demise, the fall of France, and the Occupation. Edward Baron Turk discloses the incongruities between the director's aesthetic of poetic realism and his professed leftist sympathies; he situates Carne's questionable stance and activities during the Occupation within the broader context of an artist's ethical responsibilities in times of war; and he examines the ramifications of Carne's censure during the postwar purges for the director's subsequent fortunes. Turk's use of the psychoanalytic concepts of androgyny, masochism, fetishism, and primal scene allows us to understand more clearly how Carne thought and worked. Turk also addresses the representations and maskings of homosexuality in Carne'sfilms and the extent to which they have colored film history's often ambivalent assessments of the director. The centerpiece of the book is an extended analysis of what is arguably the most famous and beloved of all French films, "Les Enfants du paradis," scripted by the poet-screenwriter Jacques Prevert. The book draws on unpublished correspondence from, among others, Jean Cocteau, Francois Truffaut, and Simone Signoret, and on interviews by the author with Arletty, Jean-Louis Barrault, Mme. Jacques Prevert, Pierre Prevert, Claude Renoir, Alexander Trauner, Truffaut, and Carne himself. This portrait of Carne thus becomes the portrait of an age, a great age in the history of French cinema, albeit a tragic age in the history of France.
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Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.
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Near Fine in very good jacket. First edition, 1989. Cloth hardcover in dust jacket, 495 pp., illustrated, clean unmarked text, Near Fine copy in Very Good dust jacket, light creasing or wear to the tips of the dust jacket. Dust jacket housed in archival dust jacket protector. Uncommon in hardcover.
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Good in good dust jacket. Signed. First Edition. Signed and personalized by the author. 1st edition/1st printing. Minimal underlining in pencil Very Clean Copy-Over 500, 000 Internet Orders Filled.
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Very Good. 1st edition 1st printing-inscribed by author-minor wear to dust jacket-some foxing to page edge-otherwise cover and binding fine contents clean-enjoy.
