Charles Ives composed his first two symphonies between 1897 and 1902, but they weren't performed until a half-century later, when Leonard Bernstein premiered the Symphony No. 2 in 1951, and Richard Bales conducted the Symphony No. 1 in 1953. The contrasts between the two symphonies are striking, since the First was a student work, composed in emulation of the European tradition, while the Second was more idiosyncratic in the use of hymn tunes, folk songs, and other Americana, all developed in a freewheeling manner that ...
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Charles Ives composed his first two symphonies between 1897 and 1902, but they weren't performed until a half-century later, when Leonard Bernstein premiered the Symphony No. 2 in 1951, and Richard Bales conducted the Symphony No. 1 in 1953. The contrasts between the two symphonies are striking, since the First was a student work, composed in emulation of the European tradition, while the Second was more idiosyncratic in the use of hymn tunes, folk songs, and other Americana, all developed in a freewheeling manner that reflected Ives' eclectic musical upbringing. This 2015 hybrid SACD by Andrew Davis and the Melbourne Symphony Orchestra is a straightforward presentation of both works, side-by-side, and their differences are highlighted in the styles of playing. Because the First is a late Romantic symphony, it receives a rather serious and earnest interpretation, yet this piece isn't quite convincing because it seems too much like a pastiche of Dvorįk and Tchaikovsky, and Ives' personality is barely...
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