Known chiefly for his role as a teacher of the leading Impressionists, Charles Gleyre (1806-1874) won great acclaim for his own paintings at home in Switzerland and abroad, eventually gaining recognition as the most eminent Swiss painter between Fuseli and Hodler. Gleyre can now be seen as a highly original artist working in a late romantic-classical vein. In these two volumes, William Hauptman presents the first detailed account of the artist's life and work since Cl???ment's study in 1878, and the first catalogue raisonn? ...
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Known chiefly for his role as a teacher of the leading Impressionists, Charles Gleyre (1806-1874) won great acclaim for his own paintings at home in Switzerland and abroad, eventually gaining recognition as the most eminent Swiss painter between Fuseli and Hodler. Gleyre can now be seen as a highly original artist working in a late romantic-classical vein. In these two volumes, William Hauptman presents the first detailed account of the artist's life and work since Cl???ment's study in 1878, and the first catalogue raisonn??? of his paintings, drawings, and water colors. One of his aims is to explore the importance of Gleyre's art and influence in nineteenth-century France and Switzerland. Drawing on recently discovered documents, letters, and sketchbooks, Hauptman provides new information on Gleyre's extensive voyage to the Middle East, his unorthodox attitudes toward his own paintings and their exhibition, the originality of his major works for French and Swiss patrons, and his unconventional teaching career that spanned twenty-five years. The author pays particular attention to never- before-published material, including journals and diaries of friends and colleagues with whom Gleyre worked and traveled, and sketches Gleyre made for his American patron, John Lowell, Jr. Together these volumes examine and illustrate more than fifteen hundred works, ranging chronologically from Gleyre's youthful portraits and figure studies of 1825 to his last painting, said to have been retouched on the day of his death. The result is a rare, significant overview of a little-known artist whose work merits greater attention.
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Seller's Description:
Dust jacket in good condition. Shelf and handling wear to cover and binding, with general signs of previous use. VOL.1: HALF-TITLE PAGE TATTERED ALONG HINGE OF TITLE PAGE. Secure packaging for safe delivery.
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Seller's Description:
Very Good. Princeton, NJ: Princeton University Press, 1997. 2 volumes. 4to. 396+590pp. Illus. Very Good book. Good dust jacket. Dust jackets edgeworn with some small tears on top edge. (painters, Switzerland, biography, criticism, interpretation, catalogues raisonnés) Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
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Seller's Description:
VG/VG-, new set in shrink wrap. Light oatmeal cloth, color DJ. 987 total pp. Profuse color and bw plates. The Life and Work and Catalogue Raisonné volumes that comprise this set not only serve as an excellent and comprehensive guide to Gleyre's work, they're beautiful, too. "Counter Known chiefly for his role as a teacher of the leading Impressionists, Charles Gleyre (1806-1874) won great acclaim for his own paintings at home in Switzerland and abroad, eventually gaining recognition as the most eminent Swiss painter between Fuseli and Hodler. Gleyre can now be seen as a highly original artist working in a late romantic-classical vein. In these two volumes, William Hauptman presents the first detailed account of the artist's life and work since Cle; ment's study in 1878, and the first catalogue raisonne of his paintings, drawings, and water colors. One of his aims is to explore the importance of Gleyre's art and influence in nineteenth-century France and Switzerland. Drawing on recently discovered documents, letters, and sketchbooks, Hauptman provides new information on Gleyre's extensive voyage to the Middle East, his unorthodox attitudes toward his own paintings and their exhibition, the originality of his major works for French and Swiss patrons, and his unconventional teaching career that spanned twenty-five years. The author pays particular attention to never-before-published material, including journals and diaries of friends and colleagues with whom Gleyre worked and traveled, and sketches Gleyre made for his American patron, John Lowell, Jr. Together these volumes examine and illustrate more than fifteen hundred works, ranging chronologically from Gleyre's youthful portraits and figure studies of 1825 to his last painting, said to have been retouched on the day of his death. The result is a rare, significant overview of a little-known artist whose work merits greater attention."--Publisher's description.
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Seller's Description:
As New. 0691044481. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-FLAWLESS COPY, BRAND NEW, PRISTINE, NEVER OPENED--928 pages. "Known chiefly for his role as a teacher of the leading Impressionists, Charles Gleyre (1806-1874) won great acclaim for his own paintings at home in Switzerland and abroad, eventually gaining recognition as the most eminent Swiss painter between Fuseli and Hodler. Gleyre can now be seen as a highly original artist working in a late romantic-classical vein. In these two volumes, William Hauptman presents the first detailed account of the artist's life and work since Clément's study in 1878, and the first catalogue raisonné of his paintings, drawings, and water colors. One of his aims is to explore the importance of Gleyre's art and influence in nineteenth-century France and Switzerland. Drawing on recently discovered documents, letters, and sketchbooks, Hauptman provides new information on Gleyre's extensive voyage to the Middle East, his unorthodox attitudes toward his own paintings and their exhibition, the originality of his major works for French and Swiss patrons, and his unconventional teaching career that spanned twenty-five years. The author pays particular attention to never-before-published material, including journals and diaries of friends and colleagues with whom Gleyre worked and traveled, and sketches Gleyre made for his American patron, John Lowell, Jr. Together these volumes examine and illustrate more than fifteen hundred works, ranging chronologically from Gleyre's youthful portraits and figure studies of 1825 to his last painting, said to have been retouched on the day of his death. The result is a rare, significant overview of a little-known artist whose work merits greater attention." [Catalogue Raisonné, Catalogue Raisonne, Catalog Raisonnee]--with a bonus offer--May be either: out of print (OOP) and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition.
