Catalogue of the Morse Collection of American Historical Pottery, Presented by Emma Def. Morse to the American Antiquarian Society, 1913 (Classic Reprint)
Catalogue of the Morse Collection of American Historical Pottery, Presented by Emma Def. Morse to the American Antiquarian Society, 1913 (Classic Reprint)
Excerpt from Catalogue of the Morse Collection of American Historical Pottery, Presented by Emma Def. Morse to the American Antiquarian Society, 1913 In the following check list, the first index is numerical, listing the specimens as they are arranged in the cases. The measure ments of the pieces are given, the height and width for the rect angular pieces, the diameter for the circular pieces, and the height for the pitchers. The second index is arranged alphabetically, containing the names of the cities, towns, and States ...
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Excerpt from Catalogue of the Morse Collection of American Historical Pottery, Presented by Emma Def. Morse to the American Antiquarian Society, 1913 In the following check list, the first index is numerical, listing the specimens as they are arranged in the cases. The measure ments of the pieces are given, the height and width for the rect angular pieces, the diameter for the circular pieces, and the height for the pitchers. The second index is arranged alphabetically, containing the names of the cities, towns, and States, the names of the portraits, and numerous cross references. Names of makers, when known, are given in parentheses. Initials are used, when so given on the backs of the pieces, and are as follows. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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