Chico Buarque is something of a hero of the arts in Brazil, where he is a tremendously popular and celebrated singer, songwriter, poet, and playwright, and is generally recognized as one of the formative influences on modern Brazilian pop music. Although he has released 26 albums at home and written more than a dozen film soundtracks, he rarely performs in the U.S., and this appears to be his first North American CD release. It's conceived as a tribute to his hometown of Rio de Janeiro, and consists of exquisitely gentle ...
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Chico Buarque is something of a hero of the arts in Brazil, where he is a tremendously popular and celebrated singer, songwriter, poet, and playwright, and is generally recognized as one of the formative influences on modern Brazilian pop music. Although he has released 26 albums at home and written more than a dozen film soundtracks, he rarely performs in the U.S., and this appears to be his first North American CD release. It's conceived as a tribute to his hometown of Rio de Janeiro, and consists of exquisitely gentle sambas, bossas, and other jazzy pop compositions, most of them featuring subtle but complex arrangements by his producer and collaborator, Luiz Cláudio Ramos. The sounds are almost all acoustic, though at times they sound electronic -- what sounds charmingly like a cheap Casio keyboard rhythm on "Subúrbio" is actually a very precisely tapped tambourine, for example. "Outros Sonhos" opens with some startlingly sophisticated and beautiful wind writing, which segues into a soft and regretful lyric. "Dura Na Queda" and "As Atrizes" both swing jazzily, and "Ode Aos Ratos" flirts with rock (and even features a sort of rap interlude). Only "Leve" and "Imagina," both of them just a little bit too melodically thin and rhythmically wimpy, fall short of brilliant. (The package includes a DVD documentary on the making of the album.) Recommended. ~ Rick Anderson, Rovi
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Seller's Description:
New in new dust jacket. Autointitulado, já que Chico Buarque também é conhecido como "Carioca", este é seu primeiro álbum repleto de inéditas desde "As Cidades", lançado em 1998. São 12 faixas produzidas por Vinícius França, com arranjos e direção musical de Luiz Cláudio Ramos. Destaques para "Porque Era Ela, Porque Era Eu", da trilha sonora de "A Máquina", filme de João Falcão; e "Sempre", tema de "O Maior Amor do Mundo", o longa de Cacá Diegues. 1. Subúrbio2. Outros Sonhos3. Ode aos Ratos4. Dura na Queda5. Porque Era Ela, Porque Era Eu6. As Atrizes7. Ela Faz Cinema8. Bolero Blues9. Renata Maria10. Leve11. Sempre12. Imagina.