Any album of solo instrumental music subjects itself to a higher degree of vulnerability, for the artist must stand alone on his/her performance for the duration of the CD. Rachel Barton Pine succeeds brilliantly on these pieces for the solo violin (and narrator, as with Ferdinand the Bull), most of which have a Latin flavor. Barton's assured, solid technique, and strong musicianship carry her through the whole album. The Prélude Ibérique is one such example, which is full of fire and passion, an absolute joy to hear. Her ...
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Any album of solo instrumental music subjects itself to a higher degree of vulnerability, for the artist must stand alone on his/her performance for the duration of the CD. Rachel Barton Pine succeeds brilliantly on these pieces for the solo violin (and narrator, as with Ferdinand the Bull), most of which have a Latin flavor. Barton's assured, solid technique, and strong musicianship carry her through the whole album. The Prélude Ibérique is one such example, which is full of fire and passion, an absolute joy to hear. Her liquid, fluid, lyrical style (sometimes reminiscent of Perlman or Shaham) is evident in pieces such as Emigrantes Celtas, where one can clearly hear her playing very much into the string with the right hand, and sustaining confident vibrato in the left hand. In Terra!! the violin becomes almost two instruments, with each musical line conveying complex rhythms, but this does not seem to deter the violinist, who plays through it with great poise. Sonata No. 6 shows Barton's very...
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